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Saturday, October 10, 2026
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Film Analysis: Sleaford Mods' Jason Williamson Assumes Role in Critical Look at 90s Rave Culture

The work of Portishead co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David kills his dog. Still, a darkly funny standoff unfolds – David eager to get away; the Poacher denying his container of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

There is only one important plot development, but it results in a comically executed rampage on the woodland paths that dips close to rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film releases in UK and Irish theaters from 17 November.

The writer

Austin Mcgrath

Maya is a tech journalist with over a decade of experience covering software development and digital innovation.

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